“After I get finished with my big girl bed, then I’m gon’ get a boy bed”
These are the types of conversations I have with my 2-year old daughter Laney about her future transition to a big girl bed. She thinks it’s fun to kid with me about wanting a “boy bed”. We are preparing to move Laney to a different room in the house but the room needs a little work before we can do that. I’ll be sharing that room tune up after we begin the work but today I wanted to share my inspiration for the room and a rough plan.
That’s my all-star niece Madeline, my brother Chris’ little girl. She’s hamming it up! (She gets that honest from both her mom and her dad.)
For the past month or so I’ve been working with a team of folks to bring a creative pursuit to life, and here we are – at the launch date of Jaxon MINI, a kid’s line designed by Victoria Richter!
Jaxon Home is a brick and mortar home furnishing shop in downtown Culver City. My group came on board to help Jaxon Home build a website and we’ve fallen so madly in love with the business and it’s owner Victoria, that I’m honored to say this venture is now something that is part mine to make a success.
And it’s new to the web! Not many people outside of LA know about Jaxon yet.
I’ve been an observant consumer as brands of all shapes and sizes have announced new lines online without knowing how much thought and how much work must go into a product line launch. It’s been very exciting for me to be a part of such a collaborative and creative effort.
To kick off the line we’ll be hosting a group of around 40 or more Mommy bloggers and Los Angeles mover and shaker moms at the store. There will be shopping, sampling, and sipping wine as well as a presentation by a children’s book author on getting published. (I’ll be taking notes… maybe children’s fiction is in my future too – since all my dreams seem to be coming true!)
If you are here in LA, come on over. 5-8pm at the store.
If you are my mom, or my dear friend – please join me in celebrating by taking a look at the Jaxon Home blog, and please please feel free and comfortable to shoot me a note and let me know what you think, good or bad! Lay it on me betsy at theestateofthings.com.
I was introduced to Sally Mann’s work through Pinterest, which these days is where I meet with a whole lot of new things that I like.
This is the photograph that sent me frantically searching,
candy cigarette, 1989
Sally came in to public view with a series of intimate photographs of her three young children, Jessie, Emmett and Virginia shot in Lexington, Virginia. The collection was called Immediate Family and it first appeared in Houk Friedman Gallery in New York and then later in a traveling exhibit at the The Institute of Contemporary Art in Philadelphia.
From what I’ve seen of the series, the collection explores both the reality and fantastical nature of childhood and the sensuality that Mann saw in her own children all under the age of 10. In most of the photographs contained in the Immediate Family collection, Mann’s children appear nude and sometimes they are injured, sick (bloody noses, chicken pox, pink eye) or appear exhausted. The nudity and context of some of the photographs sparked some controversy and garnered Sally some press and attention that wasn’t forseen.
After Immediate Family was released, Sally was contacted by a filmmaker named Steven Cantor. Cantor intended on making a documentary short about censorship in our culture but after meeting Sally and seeing the pictures of her children what resulted was Blood Ties, a 1994 documentary about Sally and her family that was ultimately nominated for an Academy Award.
After Blood Ties, Sally continued to create art in collections like Still Time and What Remains. Cantor and Mann remained in contact and in 2004, Cantor released a full length documentary about Sally, her artistic process, her family and the project she was working on that centered around death and decay called What Remains.
After learning more about Sally and her work, naturally I wanted to know what became of the most beloved of subjects–her children. Did they become artists too?
Turns out Lexington, VA, the site of the Mann family homestead, was also home to many acclaimed artists like Cy Twombley. Under Twombley’s tutelage, Jessie Mann also began painting. Emmett joined the Peace Corps for a time and Virginia went to law school.
For me, some of the photographs in Immediate Family at first were too raw, too provocative but then I started to remember childhood, especially a childhood in the rural south. The injuries depicted in these images; blood, scabs, black eyes, bloody noses, insect bites–all of that is par for the course and capturing that on film is a solid dose of realism. When I gave my brother a black eye, I don’t think we would’ve been scarred if my mother would’ve sat him down against a white wall and photographed him. Its the apparent sensuality in some of these images that creates the shock value and what many wrestle with including myself. Some will instantly be dismissive, some will remember skipping stones on the river in the heat of summer. I’m just wondering–Does/Should this art have a place in our world?
A portion of Cantor’s 2nd film about Sally, What Remains.